In an era where Nigerian music has achieved global recognition, a new book titled Legends of Nigerian Music: A Journey through the Genres, shines a spotlight on the often-overlooked trailblazers who paved the way.
Written by historian Olanrewaju Gbekeloluwa, this groundbreaking book is the first to provide an in-depth look at Nigeria’s musical pioneers across a range of genres, from Juju and Apala to Highlife, Fuji, Waka, Afrobeat, and Gospel.
Gbekeloluwa, driven by a desire to fill the gap in Nigeria’s historical record, embarked on a mission to document the stories of the nation’s music legends, some of whom have remained unknown to newer generations of fans.
“While Nigerian music now thrives internationally, many fans today are unaware of the legends who laid the groundwork for its success,” he said.
Volume 1 opens with the story of Juju legend I.K. Dairo, famously known as Baba Aladura, who pioneered Ashiko music. Dairo, the first Nigerian musician to receive the prestigious MBE (Member of the British Empire) from Queen Elizabeth in the 1960s, is celebrated in the book for his extraordinary contributions.
Another prominent Juju figure, Chief Commander Ebenezer Obey Fabiyi, also shares his life journey. Known as “Baba Miliki,” Obey’s work has influenced generations, and his story in the book provides valuable insights into his career and impact.
The book also covers figures like Idowu Animasawun, the Apola King, who stood alongside giants like Obey and King Sunny Ade, balancing life as a student, musician, and God’s messenger.
Other noteworthy profiles include Princess Comfort Omoge, an Asiko Ikale Traditional Music icon remembered for classics like Olorun mi iwo ni maa si titi aye mi, and Chief Jossy Elegbede, the “Bolojo King” of Yewa, renowned for promoting his native Yewa people’s traditional music.
The legacy of other influential artists is also preserved, such as that of the late Ewi poet Lanrewaju Adepoju, whose work spanned five decades, and Alhaja Queen Salawa Abeni, recognized for her role in bringing Waka music into the modern era. Gbekeloluwa’s book also honors pioneering gospel artists like the late Rev. Samuel Akinpelu, who revolutionized Nigerian gospel music in the 1960s, and Deborah Fasoyin, known as “Sisi,” who has inspired gospel audiences with timeless classics through her group, the CAC Good Women’s Choir.
Gbekeloluwa hopes the book will keep Nigeria’s musical heritage alive for future generations, providing an invaluable resource for understanding the journey of Nigerian music from its roots to its present-day success on the global stage.
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